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PEDRO
BURMESTER
00:00 / 01:04
R. Schumman - Kreilsleriana Op. 16 / F. Schubert - Sonata D 784
Label: EMI – HMV 7497391, His Master's Voice – HMV 7497391
Released:1987
Tracklist
R. Schumman - Kreilsleriana Op. 16
F. Schubert - Sonata D 784
Pedro Burmester's first recording is truly a masterful album
Anyone who heard Pedro Burmester ten years ago, with his talented but extremely fiery, could rightly ask themselves whether the extraordinary potential he demonstrated would be able to discipline himself in time into greater artistic maturity.
This album gives everyone the answer. Affirmative. The choice of pieces to record is already symptomatic of Burmester's fundamental choices: the rejection of easy pianistic effects and the cult of the most essential nineteenth-century repertoire.
Schubert's Sonata D 784, written in 1823, was chosen, and is characterised by rare musical sobriety and formal balance. Pedro Burmester emphasises this character through an exquisitely noble and precise interpretation. The elegance of the phrasing and the careful contrast in dynamics permeate the entire performance. There is nothing unnecessary and nothing seems to need adding. Unusual stature as a pianist The opposite side of the record is filled with the demanding Kreisleriana, op. 16, by Robert Schumann (1838). It is a work that only a complete and unusually self-assured pianist would dare to tackle on phonographic record. In it, Burmester demonstrates his unusual stature as a pianist. The greatest virtue of his interpretation, and certainly the most difficult to achieve, is the impression of simplicity that emerges from it. In a multifaceted and difficult work such as this, such quality presupposes the use of an enormous range of technical resources and, above all, a fine musical intelligence. In fact, the transparency of the texture and the intentionality of the phrasing in each voice are never sacrificed in this search for simplicity. The refinement is lively and all-encompassing. In the third movement, perhaps the most problematic, Burmester restrains the natural temptation to rush the presentation of the theme and its sequence, managing to give us a sound image of the greatest polyphonic clarity, and ending up allowing himself, after the greatest dangers, a fiery final accelerando.
Last but not least, for the alert record lover, the technical quality of the album (recording and pressing) does justice to the quality of its content.
Manuel Pedro Ferreira, in Jornal de Letras
J.S. Bach
Label: EMI – 7498201
Released: 1989
Tracklist
Allemanda
Chain
Air
Sarabande
Weather Di Gavotta
Gigue
Coral Da Cantata No. 147 - "Jesu, Bleibet Meine Freund"
Transcription By – Myra Hess
"Nun Komm'der Heiden Heiland" BWV 659 Transcription By – Ferrucio Busoni*
“Wachet Auf, Ruft Uns Die Stimme” Transcription By – Ferrucio Busoni*
Released: 1989
Tracklist
Allemanda
Chain
Air
Sarabande
Weather Di Gavotta
Gigue
Coral Da Cantata No. 147 - "Jesu, Bleibet Meine Freund"
Transcription By – Myra Hess
"Nun Komm'der Heiden Heiland" BWV 659 Transcription By – Ferrucio Busoni*
“Wachet Auf, Ruft Uns Die Stimme” Transcription By – Ferrucio Busoni*
Goldberg Variations J.S. Bach
Label: EMI Classics – 7 54522 2
Released: 1992
Tracklist
Aria
Variation 1
Variation 2
Variation 3 Canone All’Unisono
Variation 4
Variation 5
Variation 6 Canone Alla Seconda
Variation 7
Variation 8
Variation 9 Canone Alla Terza
Variation 10
Variation 11
Variation 12 Canone Alla Quarta
Variation 13
Variation 14
Variation 15 Canone Alla Quinta
Variation 16 Ouverture
Variation 17
Variation 18 Canone Alla Sesta
Variation 19
Variation 20
Variation 21 Canone Alla Settima
Variation 22
Variation 23
Variation 24 Canone All’Ottava
Variation 25
Variation 26
Variation 27 Canone Alla Nona
Variation 28
Variation 29
Variation 30 Quodlibet
| Duets | Pedro Burmester, Mário Laginha
Label: Farol – 003/94
Released: 1994
Tracklist
Waltz
Composed By – Samuel Barber
Scottiche
Composed By – Samuel Barber
Pas De Deux
Composed By – Samuel Barber
Two Step
Composed By – Samuel Barber
Hesitation Tango
Composed By – Samuel Barber
Galop
Composed By – Samuel Barber
Escape
Composed By – Samuel Barber
El Salon Mexico
Composed By – Aaron Copland
La Valse
Composed By – Maurice Ravel
Bolero
Composed By – Maurice Ravel
Percussion [Invited Artist] – José Salgueiro
L'Embarquement Pour Citere
Composed By – Francis Poulenc
Brazilian
Composed By – Darius Milhaud
Released: 1994
Tracklist
Waltz
Composed By – Samuel Barber
Scottiche
Composed By – Samuel Barber
Pas De Deux
Composed By – Samuel Barber
Two Step
Composed By – Samuel Barber
Hesitation Tango
Composed By – Samuel Barber
Galop
Composed By – Samuel Barber
Escape
Composed By – Samuel Barber
El Salon Mexico
Composed By – Aaron Copland
La Valse
Composed By – Maurice Ravel
Bolero
Composed By – Maurice Ravel
Percussion [Invited Artist] – José Salgueiro
L'Embarquement Pour Citere
Composed By – Francis Poulenc
Brazilian
Composed By – Darius Milhaud
Luis Costa, Chamber Music
José Augusto Pereira de Sousa, Frank Reich, Ana-Bela Chaves, Olga Prats, Pedro Burmester & Gerardo Ribeiro
Label: Classical
Released: 1995
Tracklist
Sonata for Cello and Piano, Op.11
Allegro Moderato
Allegretto
Adage
Allegro
Sonatina for Viola and Piano, Op.19
Allegro
Slow
Scherzino
Alive
Trio for Piano, Violin and Cello, in C Minor
Allegro Con Fuoco
Adage
Scherzo
Allegro Assa
Label: Classical
Released: 1995
Tracklist
Sonata for Cello and Piano, Op.11
Allegro Moderato
Allegretto
Adage
Allegro
Sonatina for Viola and Piano, Op.19
Allegro
Slow
Scherzino
Alive
Trio for Piano, Violin and Cello, in C Minor
Allegro Con Fuoco
Adage
Scherzo
Allegro Assa
Felix Mendelssohn Concerts
Pedro Burmester, Gerardo Ribeiro, Miguel Graça Moura, Orquestra Metropolitana de
Lisbon
Label: EMI Classics
Released: 1995
Recorded at the Cartuxa Church (Caxias) on the 12th, 13th and 14th of July 1994.
Tracklist
Concerto in D Minor for Piano, Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Piano – Pedro Burmester
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
Concerto in D Minor for Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
Lisbon
Label: EMI Classics
Released: 1995
Recorded at the Cartuxa Church (Caxias) on the 12th, 13th and 14th of July 1994.
Tracklist
Concerto in D Minor for Piano, Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Piano – Pedro Burmester
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
Concerto in D Minor for Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
Chopin
Label: BMG Classics – 7432 1 578802 DDD
Released: 1998
Tracklist
Frédéric Chopin: 24 Préludes Op.28
24 Préludes
Frédéric Chopin: Prélude Op.45 C Sharp Minor
Prelude op.45
Frédéric Chopin: 4 Mazurkas op.24
Mazurka Op.24 N.1
Mazurka Op.24 N.2
Mazurka Op.24 N.3
Mazurka Op.24 N.4
Frédéric Chopin: Mazurka Op.67 N.2
Mazurka Op.67 N.2
Frédéric Chopin: Polonaise-Fantasie Op.61 In A Flat Major
Polonaise-Fantasy
Released: 1998
Tracklist
Frédéric Chopin: 24 Préludes Op.28
24 Préludes
Frédéric Chopin: Prélude Op.45 C Sharp Minor
Prelude op.45
Frédéric Chopin: 4 Mazurkas op.24
Mazurka Op.24 N.1
Mazurka Op.24 N.2
Mazurka Op.24 N.3
Mazurka Op.24 N.4
Frédéric Chopin: Mazurka Op.67 N.2
Mazurka Op.67 N.2
Frédéric Chopin: Polonaise-Fantasie Op.61 In A Flat Major
Polonaise-Fantasy
Beethoven Triple
Concert. Mozart Sinfonia Concertante
LISBON METROPOLITAN ORCHESTRA, Miguel Graça Moura
Label: EMI - Classics
Released: 1998
Tracklist
Ludwig Van Beethoven
Triple Concerto for Piano, Violin and Cello, Op. 56
I. Allegro
II. wide
III. Rondo alla Polacca
Piano: Pedro Burmester
Violin: Gerardo Ribeiro
Cello: Paulo Gaio Lima
Conductor: Miguel Graça Moura
Wolfang Amadeus Mozart
Sinfonia Concertante for Violin & Viola in E flat Major, K. 364
I. Allegro maestoso
II. Walking
III. Presto
Violin: Gerardo Ribeiro
Viola: Anabela Chaves
Conductor: Miguel Graça Moura
Label: EMI - Classics
Released: 1998
Tracklist
Ludwig Van Beethoven
Triple Concerto for Piano, Violin and Cello, Op. 56
I. Allegro
II. wide
III. Rondo alla Polacca
Piano: Pedro Burmester
Violin: Gerardo Ribeiro
Cello: Paulo Gaio Lima
Conductor: Miguel Graça Moura
Wolfang Amadeus Mozart
Sinfonia Concertante for Violin & Viola in E flat Major, K. 364
I. Allegro maestoso
II. Walking
III. Presto
Violin: Gerardo Ribeiro
Viola: Anabela Chaves
Conductor: Miguel Graça Moura
Richard Strauss,
Complete Concertante Works
LISBON METROPOLITAN ORCHESTRA, Miguel Graça Moura
PEDRO BURMESTER | Burleske for piano and orchestra in d minor
Label: EMI - Classics
Released: 1999
PEDRO BURMESTER | Burleske for piano and orchestra in d minor
Label: EMI - Classics
Released: 1999
Franz Schubert, The Circle Of Life | Pedro Burmester and Alexei Eremine
Label: Fine arts, Lda – 560 8873 01 002
Released: 2001
Tracklist
Children's March in G Major, D.928
Duo In A Minor, D.947 (“Lebensstürme”)
Characteristic March in C Major D.886
Grand Sonata In B Flat Major D.617
I. Aleggro Moderato
II. Walking With Motorcycle
III. Alegretto
Military March In E Flat Major D.733
Fantasia In F Minor D.940
Schumann: Fantasie op.17 - Liszt: Sonata
Label: Avanti Classic – 5414706 10202
Released: 2005
Tracklist
Schumann: Fantasie C Major Op.17
Liszt: Piano Sonata In B Minor S.178
Encore un, diz vous? Et dans ce repertoire en plus.
Mais, c’est dans les partitions rabichées qu’on reconnait les grands artistes. Et en voici un venue du Portugal. Il a le panache, la fougue, l’ aisance d’un maitre. Dans la fantasy de Schumann, il y un fluidiée et une légêrere très romantique, qui n’ exclut pas une profondeur renversante: écoutez le troisieme mouvemenc: on ne peur se lasser de l’écouter en boucle. Et la sonate de Liszt passe à la meme allure, tellement le tmps est subjectif d’un artiste à l’autre.
Le mouvement est construit, le discours est limpid et fulguranc: cest un feu d’artifice de couleurs digne des plus grands. Une révélation. BE dans “Le Monde de la Musique”, December, 2005
Another, you say? And in this repertoire too.
But it is in the reworked scores that we recognize the great artists. And here's one from Portugal. He has the brio, the passion, the ease of a master. In Schumann's fantasy there is a very romantic fluidity and lightness, which does not exclude an impressive depth: listen to the third movement: we never tire of listening to it over and over again. And Liszt's sonata passes at the same rhythm, so subjective is the timing from one artist to another.
The movement is built, the speech is clear and dazzling: it is a fireworks of colors worthy of the greatest. A revelation. BE in “Le Monde de la Musique”, December 2005
Released: 2005
Tracklist
Schumann: Fantasie C Major Op.17
Liszt: Piano Sonata In B Minor S.178
Encore un, diz vous? Et dans ce repertoire en plus.
Mais, c’est dans les partitions rabichées qu’on reconnait les grands artistes. Et en voici un venue du Portugal. Il a le panache, la fougue, l’ aisance d’un maitre. Dans la fantasy de Schumann, il y un fluidiée et une légêrere très romantique, qui n’ exclut pas une profondeur renversante: écoutez le troisieme mouvemenc: on ne peur se lasser de l’écouter en boucle. Et la sonate de Liszt passe à la meme allure, tellement le tmps est subjectif d’un artiste à l’autre.
Le mouvement est construit, le discours est limpid et fulguranc: cest un feu d’artifice de couleurs digne des plus grands. Une révélation. BE dans “Le Monde de la Musique”, December, 2005
Another, you say? And in this repertoire too.
But it is in the reworked scores that we recognize the great artists. And here's one from Portugal. He has the brio, the passion, the ease of a master. In Schumann's fantasy there is a very romantic fluidity and lightness, which does not exclude an impressive depth: listen to the third movement: we never tire of listening to it over and over again. And Liszt's sonata passes at the same rhythm, so subjective is the timing from one artist to another.
The movement is built, the speech is clear and dazzling: it is a fireworks of colors worthy of the greatest. A revelation. BE in “Le Monde de la Musique”, December 2005
| 3 pianos | Pedro Burmester, Mário Laginha and Bernardo Sasseti
Label: Arts Incubator
Released: 2007
recorded live at the Belém Cultural Center.
Released: 2007
recorded live at the Belém Cultural Center.
| Clarinet of our time | Pedro Burmester, António Saiote
Label: Blue Saphire
Released: 2009
Tracklist
Sonata for clarinet & piano
Graceful
Andantino - vivace and leggiero
Time Pieces, for clarinet & piano, Op. 43
Allegro risotto
espresso walk
Allegro moderato
Andante molto - energetic allegro
Sonata for clarinet & piano, FP 184
Allegro sadly
Piano: Pedro Burmester
Clarinet: António Saiote
Released: 2009
Tracklist
Sonata for clarinet & piano
Graceful
Andantino - vivace and leggiero
Time Pieces, for clarinet & piano, Op. 43
Allegro risotto
espresso walk
Allegro moderato
Andante molto - energetic allegro
Sonata for clarinet & piano, FP 184
Allegro sadly
Piano: Pedro Burmester
Clarinet: António Saiote
Schubert/Schumann
Label: ONC Produções Culturais
Released: 2010
Tracklist
Franz Schubert: Piano Sonata In A Major D.959
Allegro
Andantino
Scherzo: Allegro Vivace
Rondo Allegretto
Robert Schumann: Symphonic Etudes Op.13
Symphonic Etudes
Pedro Burmester returns to solo recordings, ten years later. A return that deserves to be welcomed for the simple fact that he is one of the great Portuguese pianists. But it is much more than that: in the company of Schubert and Schumann, composers he knows deeply and who have interested him from an early age, Burmester makes an exceptional album, with careful production, an unusual sound quality and a very interesting review of major works by these two composers.
The album opens with Schubert's penultimate sonata in A major, a luminous sonata from the end of the composer's life, in which Burmester discovers new articulations for Schubert's beautiful melodies, with an interpretation that is not flashy but surprising with each new listening. Pedro Burmester safeguards the spontaneity and freshness that are essential to bring Schubert's intense passion for music and the piano to today. Classical? Not at all. Regarding the second movement, for example, the pianist reveals Schubert's true contemporaneity, which thus once again becomes urgent and necessary for the sensitivity and desperate hope of our times. And he manages to make this music from 1828 current, which only seems paradoxical, through enormous humility and respect for the great score of the Viennese composer. Throughout the sonata, the surprise is to hear how Burmester preserves Schubert's clarity (even when the music is tormented) and lively interrogative capacity (even when it is an unquestionable love that echoes there). In Schumann's 1834 “Symphonic Studies” the “tone” is different – very different – and Burmester confirms the best of this album – a rigorous and restrained expressive investigation that, thanks to a refined play of contrasts (for example in the connection of the extraordinary variations III and IV), suddenly gains other dimensions – here fully romantic, of a romanticism that is not at all sweetened, even if desperate (listen to the v-agitato variation), but explosively beautiful, like the small study IX, magnificently followed by a very lively allegro and a “con espressione” whose melody Pedro Burmester draws elegantly and with the sensitivity of a great pianist. Here and there lurks a precise melancholy, which wounds. But always without making any mistakes - we are not dealing with a sloppy and opportunistic market product like so many others. Pedro Burmester is not just a name, he is not just the “old” young Burmester, an award-winning artist with an extraordinary talent. He is an urgent pianist for today's times. Like Schubert and Schumann, composers and pianists in their time (and men with lives and broad horizons), he reconnects creativity and virtuosity, music and the suspended and restless hypothesis of a new sensibility. Two great works and a beautiful return. Pedro Boléo, in Ypsilon, Público, 31.12.10
Released: 2010
Tracklist
Franz Schubert: Piano Sonata In A Major D.959
Allegro
Andantino
Scherzo: Allegro Vivace
Rondo Allegretto
Robert Schumann: Symphonic Etudes Op.13
Symphonic Etudes
Pedro Burmester returns to solo recordings, ten years later. A return that deserves to be welcomed for the simple fact that he is one of the great Portuguese pianists. But it is much more than that: in the company of Schubert and Schumann, composers he knows deeply and who have interested him from an early age, Burmester makes an exceptional album, with careful production, an unusual sound quality and a very interesting review of major works by these two composers.
The album opens with Schubert's penultimate sonata in A major, a luminous sonata from the end of the composer's life, in which Burmester discovers new articulations for Schubert's beautiful melodies, with an interpretation that is not flashy but surprising with each new listening. Pedro Burmester safeguards the spontaneity and freshness that are essential to bring Schubert's intense passion for music and the piano to today. Classical? Not at all. Regarding the second movement, for example, the pianist reveals Schubert's true contemporaneity, which thus once again becomes urgent and necessary for the sensitivity and desperate hope of our times. And he manages to make this music from 1828 current, which only seems paradoxical, through enormous humility and respect for the great score of the Viennese composer. Throughout the sonata, the surprise is to hear how Burmester preserves Schubert's clarity (even when the music is tormented) and lively interrogative capacity (even when it is an unquestionable love that echoes there). In Schumann's 1834 “Symphonic Studies” the “tone” is different – very different – and Burmester confirms the best of this album – a rigorous and restrained expressive investigation that, thanks to a refined play of contrasts (for example in the connection of the extraordinary variations III and IV), suddenly gains other dimensions – here fully romantic, of a romanticism that is not at all sweetened, even if desperate (listen to the v-agitato variation), but explosively beautiful, like the small study IX, magnificently followed by a very lively allegro and a “con espressione” whose melody Pedro Burmester draws elegantly and with the sensitivity of a great pianist. Here and there lurks a precise melancholy, which wounds. But always without making any mistakes - we are not dealing with a sloppy and opportunistic market product like so many others. Pedro Burmester is not just a name, he is not just the “old” young Burmester, an award-winning artist with an extraordinary talent. He is an urgent pianist for today's times. Like Schubert and Schumann, composers and pianists in their time (and men with lives and broad horizons), he reconnects creativity and virtuosity, music and the suspended and restless hypothesis of a new sensibility. Two great works and a beautiful return. Pedro Boléo, in Ypsilon, Público, 31.12.10
Ludwig Van Beethoven
Pedro Burmester, Gerardo Ribeiro, Miguel Graça Moura, Lisbon Metropolitan Orchestra
Label: EMI Classics
Released: 1995
Recorded at the Cartuxa Church (Caxias) on the 12th, 13th and 14th of July 1994
Tracklist
Concerto in D Minor for Piano, Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Piano – Pedro Burmester
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
Concerto in D Minor for Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
Label: EMI Classics
Released: 1995
Recorded at the Cartuxa Church (Caxias) on the 12th, 13th and 14th of July 1994
Tracklist
Concerto in D Minor for Piano, Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Piano – Pedro Burmester
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
Concerto in D Minor for Violin and String Orchestra
Composed By – Felix Mendelssohn-Bartholdy
Conductor – Miguel Graça Moura
Orchestra – Lisbon Metropolitan Orchestra
Violin – Gerardo Ribeiro
I - Allegro
II - Adagio
III - Allegro
“Ao Vivo Casa na Música 2013” - Part I and II
Label: Casa da Música
Released: 2014
Recorded live at Sala Suggia at Casa da Música, on December 8, 2013.
Tracklist
PART I
Fernando Lopes-Graça
1. Variations on a popular Portuguese theme (1927) 7:59
György Ligeti
Musica ricercata (1951-53)
2. I. Sostenuto – Misurato – Prestissimo 2:59
3. II. Mesto, rigid and ceremoniale 4:18
4. III. Allegro con spirito 1:20
5.IV. Tempo di valse (poco vivace – “à l’orgue de Barbarie”) 2:01
6. V. Rubato. Lamentful 3:43
7. VI. Allegro molto capriccioso 1:03
8. VII. Cantabile, very legato 2:34
9. VIII. Vivace. Energetic 1:36
10. IX. (Béla Bartók in memoriam) Adagio. Mesto – Allegro maestoso 2:41
11. X. Vivace. Capricious 1:44
12. XI. (Omaggio to Girolamo Frescobaldi) Andante misurato e tranquillo 4:59
PART II
Johann Sebastian Bach
Partita no 6, in E minor, BWV 830 (1725-30)
1. Toccata 9:30
2. Allemande 3:23
3. Chain 4:19
4. Air 1:01
5. Sarabande 6:24
6. Tempo di gavotta 2:04
7. Gig 6:36
Franz Liszt
8. God's Blessing in Solitude 21:18 (Harmonies poétiques et religieuses, S. 173 no 3) (1848)
Schubert/Liszt
9. Serenade, from Schwanengesang (The Swan Song), 4:27 S. 560/7 (1828/1838-39)
Fryderyk Chopin
10. Waltz in D flat major, op. 64 no 1 (1846-47) 2:53
Luis Pipa
11. My Beautiful Blue Country, about A Portuguesa by Alfredo Keil (1997) 4:12
Released: 2014
Recorded live at Sala Suggia at Casa da Música, on December 8, 2013.
Tracklist
PART I
Fernando Lopes-Graça
1. Variations on a popular Portuguese theme (1927) 7:59
György Ligeti
Musica ricercata (1951-53)
2. I. Sostenuto – Misurato – Prestissimo 2:59
3. II. Mesto, rigid and ceremoniale 4:18
4. III. Allegro con spirito 1:20
5.IV. Tempo di valse (poco vivace – “à l’orgue de Barbarie”) 2:01
6. V. Rubato. Lamentful 3:43
7. VI. Allegro molto capriccioso 1:03
8. VII. Cantabile, very legato 2:34
9. VIII. Vivace. Energetic 1:36
10. IX. (Béla Bartók in memoriam) Adagio. Mesto – Allegro maestoso 2:41
11. X. Vivace. Capricious 1:44
12. XI. (Omaggio to Girolamo Frescobaldi) Andante misurato e tranquillo 4:59
PART II
Johann Sebastian Bach
Partita no 6, in E minor, BWV 830 (1725-30)
1. Toccata 9:30
2. Allemande 3:23
3. Chain 4:19
4. Air 1:01
5. Sarabande 6:24
6. Tempo di gavotta 2:04
7. Gig 6:36
Franz Liszt
8. God's Blessing in Solitude 21:18 (Harmonies poétiques et religieuses, S. 173 no 3) (1848)
Schubert/Liszt
9. Serenade, from Schwanengesang (The Swan Song), 4:27 S. 560/7 (1828/1838-39)
Fryderyk Chopin
10. Waltz in D flat major, op. 64 no 1 (1846-47) 2:53
Luis Pipa
11. My Beautiful Blue Country, about A Portuguesa by Alfredo Keil (1997) 4:12
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